fèi cháo bǎi mài
Also rendered: the lung is courted by the hundred vessels (Keeps 朝 as an audience) · the hundred vessels converge on the lung (Takes away the court, leaves the traffic) · the lung governs the hundred vessels (Stronger than the text: it says they come) · fei chao bai mai (Bare transliteration)
Reviewed · 2026-09
At a glance
Four words that carry the whole argument of the chapter’s middle. Every vessel reports to the lung, which is why the lung’s own movement — breathing — is the place where the circulation can be read off. The sentence immediately before has traced food qi from stomach to sinew to heart to vessels; the sentence after takes the union of hair and vessel essence into the storehouse, out to the four viscera, and back to the steelyard, where balance makes the inch at the qi mouth. Read together, they are the reason a single pulse site can judge the body, and the reason later doctrine could put diagnosis at the wrist at all.
Passages where the term does real work, with the original, pinyin and English on the same line.
Every rendering below is a decision about which reader is being addressed. There is no neutral option.
| Wiseman & Feng | the lung faces the hundred vessels | Their 朝 keeps the direction of turning toward, as in facing an audience. |
| Unschuld | all the vessels flow to the lung | He makes the sentence a statement of circulation rather than of assembly. |
| This site | the lung is courted by the hundred vessels | The word is the one for being received in the morning, and the difference matters for what follows: if the vessels merely converge, then the lung is a junction, and nothing explains why this spot should be the one that decides life and death. If they come to audience, then the lung is where the accounts are rendered, and the next line — the balanced steelyard, the inch that forms at the qi mouth — is simply where the rendering is read. Governing would give the lung more than the sentence gives it. |
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