wǔ jìn
Also rendered: the five prohibitions (Keeps the religious weight of 禁) · the five taboos (Stronger than the text intends) · the five dietary restrictions (Explains it, and flattens it) · wu jin (Bare transliteration)
Reviewed · 2026-09
At a glance
One flavour is forbidden for each of five illnesses, and the reason is always spatial: acrid moves into qi, so where qi is ill do not eat acrid; salty moves into blood, so where blood is ill do not eat salty; bitter into bone, sweet into flesh, sour into sinew. The flavour is not harmful in itself — it is harmful because it goes where the trouble already is and adds to it. Then the chapter generalises in four words: five prohibitions, let none be eaten to excess. The illness names the place; the excess makes the harm.
Passages where the term does real work, with the original, pinyin and English on the same line.
Every rendering below is a decision about which reader is being addressed. There is no neutral option.
| Wiseman & Feng | the five prohibitions | They keep 禁 as prohibition throughout and let the food follow. |
| Unschuld | the five [flavours that are] forbidden | He makes the object explicit, since the sentence does not name it. |
| This site | the five prohibitions | The graph has the altar radical — this is a ban, not a suggestion. And the chapter closes by saying only do not eat much of any of them, which 'restriction' would dress up. |
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