shí èr shèng
Also rendered: The twelve repletions (keeps 盛 as fullness) · The twelve excesses (plainer, and it loses the note of height) · The twelve full conditions (clinical, and it is clumsy)
Reviewed · 2026-10-25
At a glance
The chapter’s first tally, and the one that turns dream imagery into a table. Seven of the twelve come from the general pairings: yin in excess dreams of crossing great water and is afraid, yang of great fire and burning, both together of killing; excess above dreams of flying, below of falling, great hunger of taking, great repletion of giving. Five more come from the viscera in excess — anger, terror and weeping, laughing and dread, song with a heavy body, a spine coming apart — and with them the list is closed. The rule that ends it is therapeutic: when the excess arrives, drain it and the dream stops at once. The dream is therefore not a message about the future but a report of which part is overfull, to be read with the pulse rather than instead of it.
Passages where the term does real work, with the original, pinyin and English on the same line.
Every rendering below is a decision about which reader is being addressed. There is no neutral option.
| This site | the twelve repletions | the text's own count |
| Literal | twelve fullnesses | exact, and it reads oddly in English |
| Clinical | the twelve excess patterns | clear, and it is an interpretation |
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